Every defect in her body is accompanied by an advantage.

In contrast, the advantage becomes particularly prominent.

It’s a kind of unique and rugged beauty.

Her face makes you surprised at first sight, but you will never forget.

I don’t know when it began, or whether it was due to the convergence of aesthetic consciousness, the restriction of moral concept or other reasons.

Human beings regard tenderness as the highest requirement for female sexual quality, such as preferring the moon, flowers Spring water and the like as a metaphor or symbol of its purity and beauty.

As if to achieve a kind of complementarity, the ideal man is the embodiment of strength and wisdom, filled with the masculinity of the sun, rock and fire.

This is the South Pole and North Pole of the gender world divided according to the appearance and charm.

In the mid-19th century, Garman (formerly translated as Carmen) created by French novelist merime is a rebellion against the traditional female beauty.

She is fierce, cunning, coquettish and ferocious.

She struggles at the bottom of society and is full of rebellious spirit, just like a alienated wild flame burning from beginning to end.

Her image is different from the laureated and pure forest goddess in Greek mythology.

At most, it is similar to Athena holding a shield and hiding a murderer – the goddess of war who indirectly destroyed Troy.

I don’t know why, she is more likely to remind me of Lorelei, a water demon who seduced passing boatmans with songs and buried them at the bottom of the sea.

That special beauty with guilt, that irresistible terrible charm.

It symbolizes destruction, destruction of others and self destruction.

In Garman’s change from fanatical to icy, love and hate can bring the same degree of harm.

Her emotion is vacillating, centering on her own will and refusing to accept the constraints of external things (including the other party she loves).

She can work hard, pile it up brick by brick, or overthrow it without doubt at any time, and abandon the ruins of love without turning back.

No one can permanently possess Garman’s love (the hero Tang Yucai is just a passer-by of love), because she loves freedom more.

Since the end of love is out of control, death comes out with a veil on his face.

Knowing that the frustrated and almost crazy don Yucai might kill her, Garman insisted on breaking up: “die with you, yes.

but you can’t live with you anymore.

” In that remote gorge, she calmly faced the threat of death: “I can’t do what you ask.

I don’t love you anymore.

you, you still love me, so you want to kill me.

I can lie to you and coax you.

but I don’t want to bother.

Everything is over between us.

You are my Roma and have the right to kill your Romy.

but Garman is always free.

” For this woman who has been cheating all kinds of men with lies for a long time and has been in the rough waves, this is probably the only time in her life that she refuses to lie – although it costs her life.

She has to insist on the truth of her heart, because she insists on freedom.

This is the most irreconcilable thing for her.

That’s why she’s Garman, not any other woman.

She has a spirit of.

Garman, a gypsy girl living in a market town in southern Spain (i.e. the Bohemian woman in the book), made a living by fortune telling, smuggling and fraud (including cheating and taking advantage of the love of men from all walks of life).

Finally, she essentially became a female bandit who killed people and robbed goods.

Garman embodies the mysterious street culture.

She appears in the market singing and dancing with a wave drum in her hand, and plays with the old deck of cards at will.

She uses a magnet and a few copper coins as a magic tool to speculate on her fate.

She has the temperament of a witch.

In the face of all hypocritical and funny things, Garman laughed recklessly.

The creepy extreme joy will make the world that has always been immersed in calm and reason deform in our dizzy vision, as if trapped in the devil’s palace and the ghost’s castle.

We can’t think we know all about Garman because of it – the surface phenomenon is always superficial.

Before she died, she had a premonition to open the welt of her clothes, take out the lead block inside, melt it and put it in the water bowl of divination.

Only then did we examine the attitude of the lunar eclipse and the dark shadow of distorted fate through a mysterious ballad that she sang with a sad face and her solemn and sad expression shrouded in her veil.

So we no longer ignore the profound side of Garman, that is the peace of Bohemian women, that is the weakness of seeking peace from the end of destruction.

So Garman is a combination of devil and angel.

There is a potential war in her soul.

The struggle between good and evil and the conflict between beauty and ugliness make her scarred.

Only by being bound to death can we boldly interrupt the continuation of inner contradictions.

Garman was destined to be born for tragedy.

Her destruction makes tragedy a kind of beauty.

Her skin is very neat, but her complexion is similar to that of copper.

Strabismus, but very big.

The lips are thicker, but the curve is very beautiful.

One mouth of teeth is whiter than the shelled almond.

The hair may be too thick, but it’s long, black and bright, shining blue like the wings of a crow.

Garman’s beauty is no stranger to me.

The sound and smile of this typical gypsy girl always reminds me of yesenia in a caravan and Esmeralda in Notre Dame de Paris.

I believe that they have the temperament of the wandering people who have traveled all over the European continent, that is, to give up stability and love freedom, which is similar to the wind and rain impermanence and stubbornness like wild plants.

They ride in creaking wooden wheel carriages through the mountains and the noise of the city.

After all, they are still just crossing other people’s world.

In other people’s eyes, they are just short scenery, because no city on the earth belongs to them – so that they can register their unfamiliar surnames for a long time.

In other words, they are not used to nostalgia.

They have no hometown.

They walk through people with different costumes as quietly as they walk through the forest.

They are like nomadic sheep longing for the next post station, rather than the end as pursuing the answer.

Therefore, as uninvited guests, they refuse to assimilate and stick to their old ways.

They even do not rule out the prank psychology of saboteurs, collide with other people’s cities and other people’s world full of rules and regulations, and will leave at any time.

They do not look up to the cities and towns along the way because of their poverty and wanderingJust like accepting suffering, he accepted the fate of only branches and leaves and no roots without complaint.

After a preliminary understanding of the overall style of Bohemian women, I want to analyze the relationship between Garman’s artistic image and the tripartite confrontation of freedom and death.

In my crude understanding, Garman is synonymous with freedom – especially the freedom of the mind.

In love, she can’t belong to a man like settling in a village, especially when the man shows selfishness and autocracy.

When Tang Yucai, who fell into the human network and had both love and hate, did not allow Garman to contact other men, Garman almost despised his narrowness with a sneer: “be careful, I’ll do what others want to interfere with me right away!” In Malaga, Garman met a rich businessman.

Tang Yucai rushed in despite of the hidden physical and mental trauma.

The two sides clashed again.

Garman said, “since you officially became my Roma (husband), I don’t like you as much as you did when you were my lover.

I don’t want people to ask me for trouble, especially to order me.

I want freedom and do whatever I like.

” Just as a rigorous society cannot assimilate and conquer the typical Gypsy way of life, Garman’s heart also refuses to accept the control of any man, and even attempts in this regard may offend her and make her more capricious.

She can put her heart in the pocket of the man she loves.

At this time, Garman is gentle in every way.

Once love burns into a pile of ashes, or finds the shadow of each other’s character, Garman, who pursues perfection, will almost coldly take back everything he once gave generously.

No one can change her determination.

Her heart is a spotless bronze mirror, and all predictions will be fulfilled in its ups and downs.

Death may last longer than any love.

It helps Garman get rid of the figure of the competing men around him and maintain the lightness of his soul.

“After the mass, I went back to the inn, hoping that Garman had escaped and that she could slip away on my horse.

But she didn’t go.

She didn’t want to tell anyone that she was afraid of me.

” No woman in my cell looked up the street.

I also unknowingly smelled the soap horn flower she threw me.

Although it was withered, the fragrance remained.

The above fragment was quoted from the preliminary chapter of the story between Garman and don Yucai.

In an abuse, Garman made a bloody cross on each other’s face with a cigar knife.

Tang Yucai, a guard of the tobacco factory, was unable to resist Garman’s temptation during the escort, so he tried to let her go, so he was imprisoned.

He lost the chance of promotion, but got a love – Garman, who knows his kindness and rewards it, threw himself into his world as promised.

All this is just the beginning, and the more ups and downs of life are waiting for Don Yucai – since he met Garman.

Garman warned him without concealment: “you met the devil – you know, the devil doesn’t have to be ugly.

I’m wearing wool, but I’m not a sheep.

” Garman tried his best to appear as the embodiment of evil and terror, but Tang Yucai gave up his peace of life and followed him, willingly accepting Garman’s wild burning.

The men around her were his rival in love.

Tang Yucai wiped them out one by one.

When he realized that the futile slaughter was endless and exhausted, he confessed his despair: “I’m tired of killing your lovers one by one.

if you want to kill them, I’ll only kill you.

” In fact, he also destroyed himself through this last killing, and he was unable to live independently from Garman’s light and shadow.

So he didn’t get rid of the fate of losers in the end.

Garman has destroyed many men directly or indirectly in her short life.

None of them can maintain the temperature of her love, and her own light and heat do not need to be distributed all the time.

She takes the attitude of game because she despises them.

Compared with them, she is afraid that she loves money or secular joy more.

In this regard, Garman is harsh and stubborn.

I have no intention of judging the merits of this thrilling love.

Neither side pays more or less than the other.

The ending of my pursuit of lightning is similar to that of thunder and lightning.

When love develops to the extreme, it becomes an unspeakable hardship, which can only be solved or cancelled by the same extreme action.

In the secular dust, we can’t understand and agree with the phenomenon of burning jade and stone, just as we can’t understand the intensity of the storm sweeping the field under the eaves.

We are too lack of impulse, and irrational love is too crazy.

It alienates the boundaries of reality.

In the end, we can only treat us as stories and traditions.

Garman is such a legendary woman, and her power to surpass death is also unique.